Three architects. Seven buildings. Two kilometres on Passeig de Gràcia and into Gràcia. The alphabet of a Catalan national-cultural project written between eighteen eighty-three and nineteen twelve in carved stone, wrought iron, ceramic trencadís, mosaic, and stained glass.
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Casa Lleó-Morera: The Canonical Team Building

Passeig de Gràcia thirty-five. Domènech i Montaner remodel of an eighteen sixty-four Casa Rocamora; commissioned nineteen oh two by Francesca Morera, completed under her son Albert Lleó i Morera; won the city's Annual Award for Artistic Buildings in nineteen oh six.

Passeig de Gràcia forty-one. Puig i Cadafalch remodel of an eighteen seventy-five original by Antoni Robert i Morera; built eighteen ninety-eight to nineteen hundred for chocolatier Antoni Amatller. Bien de Interés Cultural since January nineteen seventy-six.

Passeig de Gràcia forty-three. Gaudí remodel of an eighteen seventy-seven original by Emili Sala i Cortès; built nineteen oh four to nineteen oh six for textile industrialist Josep Batlló. UNESCO inscription three twenty dash zero zero six, added two thousand and five.

Passeig de Gràcia ninety-two. Gaudí's last private residential commission, built nineteen oh six to nineteen twelve for Pere Milà i Camps and Roser Segimon. UNESCO three twenty dash zero zero three, inscribed nineteen eighty-four.

Avinguda Diagonal four hundred and forty-two; rear façade at Carrer de Còrsega three hundred and sixteen. Built nineteen oh nine to nineteen eleven by Salvador Valeri i Pupurull for textile industrialist Joan Comalat Aleñá.

Passeig de Gràcia one hundred and thirty-two. Built nineteen oh eight to nineteen eleven by Lluís Domènech i Montaner for Mariano Fuster i Fuster, a gift for his wife Consuelo Fabra i Puig. Operates today as a five-star hotel.

Carrer de les Carolines eighteen to twenty-four, Gràcia. Antoni Gaudí's first major commission, built eighteen eighty-three to eighteen eighty-five for stockbroker Manuel Vicens i Montaner. UNESCO three twenty dash zero zero four, added two thousand and five.
Late morning to mid-afternoon on a weekday, ideally Tuesday through Friday. The Passeig de Gràcia façades read most fully in side-light, so avoid harsh midday glare in summer; ten in the morning or three in the afternoon both work. Weekends draw heavy foot traffic on the Manzana de la Discòrdia block and the queues at Casa Batlló and Casa Milà can spill onto the sidewalk, blocking the sightlines the audio anchors on.
Go deeper on what you'll see, hear, and walk through.








