From the Ponte alle Grazie past San Niccolò's flood marks and the gate tower the city says was never cut down, up Poggi's ramps to the Rose Garden, Piazzale Michelangelo's view and the marble front of San Miniato al Monte.
Start · Ponte alle Grazie: The Whole Climb in View
Directions
Ponte alle Grazie: The Whole Climb in View
The walk's whole climb is in view upstream. A 1957 bridge on the site of a medieval one, once lined with chapels and a nuns' house, that the retreating German army blew up in August 1944.

Piazza Demidoff: A Russian Fortune in Marble
A Russian benefactor's monument in a riverside garden. Begun by Lorenzo Bartolini in 1830 and finished by his pupil in 1871, with four virtues around its base.

San Niccolò: Two Floods on One Wall
Two flood marks on the quarter's church front. A marble hand for the flood of 1557 and a plaque for 1966, higher still, on San Niccolò Oltrarno.

Porta San Niccolò: The Tower Never Cut Down
The gate tower the city says was never cut down. Built in 1324, about 35 meters tall, it kept its height when the others were lowered for cannon.

Rampe del Poggi: A Stage Set of Grottoes
Poggi's ramps of grottoes and artificial cliffs. Built from 1872 to 1876, after the capital had left, and restored in 2018 and 2019.

Giardino delle Rose: Roses on the Hillside
A free rose garden laid out on the hillside. Poggi's terraces of roses, with a Kyoto garden and Folon's bronzes; open daily, shorter hours in winter.

Piazzale Michelangelo: The Capital's Terrace
Florence's whole skyline from Poggi's terrace. Finished in 1875, with a bronze David cast in 1866 and a balustrade of cast iron painted as stone.

San Salvatore al Monte: The Plain Friars' Church
A plain friars' church built around 1500. San Salvatore al Monte, by il Cronaca, which Florentines say Michelangelo called his pretty country girl.

San Miniato al Monte: Marble, Monks and Vespers
White and green marble at the top of the hill. San Miniato, rebuilt from 1018, where the monks sing vespers in Gregorian chant every evening.
Afternoon into early evening. In summer, start about two hours before sunset to catch the light at the Piazzale; from November to January the light goes before 17:00 and vespers is at 18:30, so either finish at San Miniato after dark or come back for vespers. From November to February the Rose Garden shuts at 17:00, so start by about 15:30 if you want it open. San Miniato is open Monday to Saturday 9:30 to 13:00 and 15:30 to 19:00, Sunday 8:15 to 13:00 and 15:30 to 19:00, and is closed to visitors during services. Avoid rain: the ramps and stairs are slippery when wet. Checked 8 November 2026.
Travel advisory: Exercise Increased Caution (Level 2).
Go deeper on what you'll see, hear, and walk through.






The full story of Piazzale Michelangelo and San Miniato: The Capital's Terrace, in words. Prefer to listen? Play it narrated, from home or on location.
Florence, in the heart of Tuscany, was the capital of Italy for six years, from eighteen sixty-five to eighteen seventy-one. For the new capital the city pulled down its walls north of the river and laid out a boulevard over the hills south of it, with a terrace looking back at the whole city. This walk climbs to that terrace, and on to the marble church above it.
Three people come with us. Giuseppe Poggi, the architect of the boulevard, the ramps and the terrace. Michelangelo, who fortified the hill of San Miniato when the city was besieged. And Bishop Ildebrando, who began to rebuild the church at the top in ten eighteen.
The walk is nine stops over about one point eight kilometers, a little over a mile, and takes about seventy-five minutes. It climbs about ninety meters, on ramps and more than a hundred and fifty steps. Without stairs, ride bus twelve or thirteen up to the Piazzale and begin at stop seven; the last two stops are still up steps. Two busy roads are crossed on zebras without lights, and twice the route follows a lane with no sidewalk; each stop warns you first.
The walk begins on the Ponte alle Grazie and ends at San Miniato al Monte, where the monks sing vespers every evening at half past six. When you arrive at the Ponte alle Grazie, begin with stop one.
Welcome to the Ponte alle Grazie, where this walk begins. Stop at the railing near the bridge's south end and look along the river. One way, the bridge lined with little houses and shops is the Ponte Vecchio. Turn to face the other way, upstream.
On the near bank a tall, square tower stands on its own. That is an old city gate, and stop four. Above it, a long balustrade runs along the green hilltop: the edge of Piazzale Michelangelo, stop seven. Most of the walk is in front of you, and it goes up.
The bridge under your feet is young. It opened on the twenty-fourth of February, nineteen fifty-seven. Its ancestor stood here from twelve thirty-seven, and the city's tourism office counts it as the third bridge built in Florence, after the Ponte Vecchio and the Ponte alla Carraia. Little houses and chapels grew along it, among them, from the thirteen hundreds, a shrine to Our Lady of Graces, the Madonna delle Grazie, which gave the bridge its name. A community of enclosed nuns lived on it too.
In the night of the third to the fourth of August, nineteen forty-four, the retreating German army blew up every bridge in Florence except the Ponte Vecchio. This one went with the rest. The next year the city held a competition for a new bridge, and a group of architects won it. What you stand on is their bridge.
The terrace up on the hill belongs to an earlier new start: the years when Florence made itself ready to be the capital of Italy.
Follow the route off the bridge and along the river. You cross a cycle lane, then the riverside road on a zebra with no lights. Cars and buses do not always stop, so wait until they do. Next is a riverside garden with a Russian family's monument.
Walk on along the garden's railing until a white marble group under an iron and glass canopy stands in the middle of the lawn, and stop there.
This is Piazza Demidoff, a riverside garden, and the monument is to Nicola Demidoff, a Russian benefactor who died in eighteen twenty-eight. In eighteen thirty his sons commissioned it from the sculptor Lorenzo Bartolini. Bartolini worked on it until his death and left it unfinished. One of his pupils completed it in eighteen seventy-one, and it was given to the city. The canopy came later.
Look at the top first. Nicola sits there, embracing his young son, while a kneeling woman, Gratitude, offers her thanks.
Then look at the four figures around the base. Each is a virtue, and each tells you something about the family. One is Siberia, with a miner's hammer, holding a child: the Demidoff fortune came from mines. One is Mercy, holding up a dying boy and sheltering a girl under her cloak. One is Truth, revealed to art. And the fourth is the Muse of pleasures, in memory, says the museum in Prato that keeps Bartolini's model, of the many banquets the family gave.
So a fortune dug out of Siberia turned into charity and dinners in Florence, and then into marble on the bank of the Arno.
The child in Siberia's arms has had a hard time. In twenty eighteen vandals knocked off its head and smashed it, and in twenty twenty-one restorers began to rebuild it from a three-dimensional reconstruction.
Follow the route into the short lane beyond the garden. You cross one quiet street where no crossing is marked. Next is the church of San Niccolò.
Walk on down the lane into Via di San Niccolò and stop in the small widening of the street in front of a plain church front with a round window over its door. You are close to it here; the street is narrow.
This is San Niccolò Oltrarno, the church that gives this quarter its name. Its story, as Italy's national heritage trust tells it, begins in the twelfth century, when monks from San Miniato, the church at the top of this walk, built it. It was destroyed in the fourteen hundreds and rebuilt, this time by the people of the quarter, and the round window and the main doorway were added in the fifteen hundreds.
Now find the smaller door in the front, and look higher than the top of it. There a carved stone frame holds a little marble hand, pointing. It marks where the Arno reached in the flood of the thirteenth of September, fifteen fifty-seven.
A little higher still is a small white plaque. It marks the fourth of November, nineteen sixty-six, when the Arno flooded Florence again. The river you walked beside came up into this street, and the second time it came higher than the first.
Two floods four centuries apart, measured on one wall, both above your head. Florence keeps marks like these on house fronts all over the city.
People live in this street, in the apartments above the doorways and the bars, so keep to the sidewalk and keep your voice down, especially in the evening.
Follow the route along Via di San Niccolò, a long street of tall houses with narrow sidewalks. Next is the old city gate at its end.
Walk on out of the street into the open square, to the foot of the ramps that climb the hill, and stop there. The tall tower standing alone in the square is Porta San Niccolò, one of the gates of the old city walls. It was built in thirteen twenty-four to guard this side of the…
Full narration for this stop unlocks with the tour.
Climb the last steps onto the tree-lined promenade at the top, and stop on the promenade, away from the road. Turn around. The ramps and stairs you have just climbed fall away below you to the tower, and the river and the city open up over them. These are the Rampe del Poggi,…
Full narration for this stop unlocks with the tour.
Walk on along the edge of the lane to the garden's iron gate, where steps go down through it, and stop. This is the Giardino delle Rose, the city's rose garden. It is free and open every day of the year: in winter it shuts at five in the afternoon, in summer at eight. If the…
Full narration for this stop unlocks with the tour.
Walk on along the balustrade and stop where the whole city opens up below you. Find the big things first. The great dome is the cathedral, il Duomo. Beside it, a tall square tower wrapped in scaffolding is Giotto's bell tower. A little apart rises the slender tower of the…
Full narration for this stop unlocks with the tour.
Climb the stepped lane toward the plain stone church front at its head. Stop a few steps below the top of the lane, where the whole front fits in view. This is San Salvatore al Monte. It was built around fifteen hundred for Franciscan friars of the Observant branch, and in its…
Full narration for this stop unlocks with the tour.
Climb the last stairs onto the terrace and stop facing the marble front. If the gate on the stairs is shut, stop there: the front is in view up the stairs. This is San Miniato al Monte, the end of our walk. Look at the front: white and green marble laid out in arches and…
Full narration for this stop unlocks with the tour.
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