Plaza de Antón Martín is the seam between imperial Madrid and the city outside its walls. South of that line is Lavapiés, the arrabal Madrid built when it became a capital. Four waves of named communities across five centuries, from post-fifteen-sixty-one castellano labour to the post-nineteen-ninety Bangladeshi cluster, with one royal factory and one multiethnic market that hold the whole stack in two buildings.
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Plaza de Antón Martín: The Seam Between Two Madrids

Named for Antón Martín, sixteenth-century religious figure and successor of San Juan de Dios who founded the Hospital de Nuestra Señora del Amor de Dios in fifteen fifty-two. Site of the Motín de Esquilache, twenty-third of March, seventeen sixty-six. The square marks the historic boundary between the walled imperial spine and the arrabal to the south.

Current building nineteen twenty-three, architect Críspulo Moro Cabeza. The nineteen twelve Salón Doré was a predecessor establishment in a different building. Purchased by the Ayuntamiento in nineteen eighty-two; opened as Filmoteca Española screening venue on the twenty-eighth of February, nineteen eighty-nine.

Earliest archival mention as Avapiés is March fourteen ninety-five (Archivo de la Villa, cited by Lorenzo Arribas two thousand and eight, Centro Virtual Cervantes), postdating the fourteen ninety-two expulsion of the Jews from Spain by three years. The actual medieval judería was near the present-day Almudena Cathedral (Montero Vallejo, El Madrid medieval, nineteen eighty-seven). The folk etymology lavar los pies is historically false; ritual foot-washing is Islamic, not Jewish.

Calle Mesón de Paredes eighty-nine and Calle Sombrerete thirteen. Original building eighteen thirty-nine, reform of eighteen seventy-two by the architect José María Mariategui. Declared National Monument in nineteen seventy-seven; restored nineteen seventy-nine. The most cited surviving exemplar of the corrala tenement typology.

Calle Amparo and surrounding streets are the spatial core of Madrid's Bangladeshi micro-cluster, ethnographically documented by Cebrián de Miguel and Bodega Fernández at the CSIC. The Valiente Bangla association was founded in two thousand and seven at Calle Provisiones fourteen, following the Ceuta deportation struggle. Embajadores district two thousand and nineteen census: forty-five thousand two hundred and fifty-nine inhabitants, twenty-six percent foreign-origin.

Calle Embajadores fifty-one. Founded as the Real Fábrica de Aguardientes y Naipes on the twenty-fifth of September, seventeen eighty-one by Charles the Third; designed by Manuel de la Ballina; completed seventeen ninety. Converted to tobacco production on the first of April, eighteen oh nine under Joseph Bonaparte with approximately eight hundred workers. Peak workforce of six thousand three hundred cigarreras by eighteen ninety. Production ended nineteen ninety-nine. Ceded to community management in two thousand and ten.

Calle Embajadores forty-one. Inaugurated nineteen forty-four, architect Casto Fernández-Shaw, winner of the nineteen forty-three design competition. Built on the lot of the Escuelas Pías de San Fernando, destroyed by fire. Today the multiethnic food hall: Senegalese, Latin American, Chinese, and castellano stalls in a single building.
Tuesday through Saturday, late morning into the afternoon. The Mercado de San Fernando at Stop seven is the resolution and runs roughly from nine in the morning to nine at night Monday to Saturday, with reduced trading on Sunday; an eleven o'clock start at Plaza de Antón Martín lets you reach the market with the stalls still well stocked. La Tabacalera at Stop six opens its cultural-centre courtyard and exhibition spaces in the afternoon and evening; the exterior anchor of the audio works at any hour, but interior visits are afternoon onward. Avoid August Sunday mornings and Sunday afternoons when most of the neighborhood is at El Rastro, which is not on this route.
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