From the Mercato Centrale past the Medici Chapels, San Lorenzo and the Medici palace, up to the Accademia and San Marco, through the Innocenti's square to the Rotonda, ending on Via dei Servi facing the dome.
Start · Mercato Centrale: Iron and Glass
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Mercato Centrale: Iron and Glass
An iron market hall copied from Paris. Florence's central market, opened in 1874 on the model of the Paris Halles, where the walk begins.

Medici Chapels: The Grand Dukes' Dome
The Medici grand dukes lie under this dome. The family's mausoleum and Michelangelo's New Sacristy, a tomb finished by the dynasty that came next.

San Lorenzo: The Front Never Built
The church still waits for its marble front. Brunelleschi's Medici church, whose front Michelangelo designed in a wooden model and never built.

Palazzo Medici Riccardi: The Model Palace
The palace Florence took as its model. Cosimo the Elder's palace, read from its corner: stone graded rough to smooth and the kneeling windows.

Galleria dell'Accademia: David's Door
The door where the David waits inside. Why Michelangelo's statue, made for the cathedral, left Piazza della Signoria for this street in 1873.

San Marco: The Painter and the Preacher
Cosimo paid for this convent of friars. San Marco, where Fra Angelico painted the cells and Savonarola was prior until his arrest in 1498.

Spedale degli Innocenti: Arcade for Foundlings
Brunelleschi built this arcade for foundlings. The silk guild's hospital for abandoned children, with its blue roundels and barred window.

Piazza della Santissima Annunziata: The Copied Arcade
A whole square copied one arcade. Three matching arcades over two centuries, a grand duke on horseback and a first view of the dome.

Rotonda di Brunelleschi: Five Centuries Unfinished
This eight-sided church waited five centuries. Brunelleschi's church, halted in 1437 and finished in 1937, now the Museo de' Medici.

Via dei Servi: The Dome at the End
The walk ends with the dome ahead. A straight street laid out in the 1250s, older than the cathedral, with a church at each end.
Tuesday to Saturday, starting by 9:30: the Museo di San Marco opens mornings only (to 13:50), the Accademia and the Medici Chapels close on Mondays, the Palazzo Medici Riccardi closes on Wednesdays, and San Lorenzo's basilica takes visitors Monday to Saturday only. The market streets and the Accademia queue are busiest late morning. In the late afternoon the walk works fully from outside, and the dome at the end catches the low light. Checked 8 November 2026.
Travel advisory: Exercise Increased Caution (Level 2).
Go deeper on what you'll see, hear, and walk through.





The full story of San Lorenzo and San Marco: The Models Florence Copied, in words. Prefer to listen? Play it narrated, from home or on location.
Florence, in the heart of Tuscany, drew its models in a few streets near the cathedral, and then copied them for centuries. This walk crosses that quarter, the streets where the Medici built, from the market by San Lorenzo to the Santissima Annunziata.
You will see the palace the city took as its model, a window shape that went onto ground floors across Florence and Tuscany, an arcade that a whole square copied for two hundred years, a church front that exists only as a wooden model, and an eight-sided church that stood half built for five hundred years.
Three people shape it. Cosimo de' Medici, called the Elder, the banker who paid for a palace, a convent and a church. Michelangelo, who worked for the family here after he carved the David that waits behind a door on this route. And Filippo Brunelleschi, whose dome closes the view at the end.
The walk is ten stops over about one point nine kilometers, a little over a mile, and takes about seventy-five minutes. It is flat, with no steps. A few short stretches run on narrow pavements beside buses, and the sandstone paving is slippery when wet. Most of the buildings charge to go in, and every stop works from outside. The walk ends on Via dei Servi, a short walk from the cathedral square. When you arrive at the Mercato Centrale, begin with stop one.
Welcome to the Mercato Centrale, Florence's central market, where this walk begins. Find a spot in the square with the end of the market hall in front of you: a wall of iron and glass, and a long flank running away down the street.
A Florentine survey of the city's historic buildings calls this one of the most significant iron-and-glass buildings of the eighteen hundreds. It was built between eighteen seventy and eighteen seventy-four, and it opened on the first of May eighteen seventy-four. The work began while Florence was the capital of Italy, and to make room the city cleared a block of poor houses that stood here.
Look at its two levels. Low down, a ground floor under a pitched roof. Above it, a taller central body, glazed all the way along over the stalls. Inside, the aisles run like covered streets. And the whole idea came from abroad: the hall was designed on the model of the great market halls of Paris.
Keep that word, model, in mind. The quarter you are about to walk is where Florence drew its own models, a palace, a window, an arcade, and then copied them for centuries. Here, at the start, it is the other way round: Florence copying Paris.
The ground floor is still a market. Upstairs, since twenty fourteen, a food hall stays open every day until eleven at night.
The streets ahead are lined with market stalls by day, and crowds draw pickpockets, so keep your bag closed and in front of you.
Follow the route along the side of the hall, through the stalls. Next is the Medici family's tomb, under a dome.
Walk on until the market street opens into a small square, and look up over the roofs: a great dome on a tall drum. That is the Chapel of the Princes, the burial chapel of the Medici grand dukes. The door in front of you, at number six, is the Medici Chapels museum. It charges to go in and is closed on Mondays; the details are on this stop's card.
Inside are three things. Below, the crypts, where the grand dukes of the family lie, down to the last of the line, who died in seventeen thirty-seven, when the dynasty died out. Above them, the chapel under the dome, which the museum describes as blazing with marble and hardstone, cut and fitted by the grand dukes' own workshop. And the New Sacristy, where Michelangelo designed both the building and its sculpture. Two Medici popes wanted it, and he worked on it from fifteen nineteen until fifteen thirty-four. You will meet him again at the next three stops.
Now look at the dome again, and think about who finished it. The paintings inside it date from eighteen twenty-eight to eighteen thirty-seven, about ninety years after the last Medici grand duke died. The museum says the chapel was completed under the Habsburg-Lorraine, the family that followed the Medici as rulers of Tuscany. So the great monument of a dynasty was finished by the dynasty that replaced it.
Small electric buses cross this square and use the next street, so step aside when one comes.
Follow the route past the back of the chapels. Next is the church the Medici paid for, and the front it never got.
Walk on past the seated statue at the corner and a little way along the edge of the square, then turn to face the church across it: a tall, bare front, with no marble on it at all. This is San Lorenzo, the Medici family's parish church. The church charges to go in, Monday to Saturday; the details are on this stop's card.
Work on this church began in fourteen twenty-one, with Filippo Brunelleschi as its architect. The Medici paid first for a sacristy inside, Brunelleschi's Old Sacristy, built in the fourteen twenties and still there, on the church's ticket. Then, after fourteen forty-one, Cosimo de' Medici, called the Elder, took on almost the whole cost of the church. In fourteen sixty-four he was buried in front of its high altar.
And the front? In fifteen eighteen a Medici pope, Leo the Tenth, signed a contract with Michelangelo for a front of marble. A large wooden model of it, made to his design, survives in the Casa Buonarroti museum, a short walk from Santa Croce. Two years later, in fifteen twenty, the contract for the marble was dissolved, and the marble already gathered was set aside to pave the floor of the cathedral. The plan only died for good with the death of the second Medici pope, in fifteen thirty-four. Competitions for a new front went on as late as nineteen oh three. None was ever built.
So here is a model that never got its copy. What you are looking at is what a Renaissance church looks like before the marble goes on.
Michelangelo also designed the Laurentian Library inside, on its own ticket. Dress modestly: it is a working church, with Mass morning and evening, Monday to Saturday.
The little electric bus uses the street ahead, so keep to its pavement.
Follow the route to the corner of the square. Next is the Medici palace.
Walk on along this pavement, with the long stone palace across the narrow street, to where it meets the wide crossroads, and stop on the paving there, on this side: buses turn here. Look across the little street at the palace's corner. This is the Palazzo Medici Riccardi.…
Full narration for this stop unlocks with the tour.
Walk on up the street, past the crossing, to where a little square opens off it, and stop there, out of everyone's way. Up the street ahead, along the long front, is a door, and most days a queue. That is the Galleria dell'Accademia, and behind it stands Michelangelo's David. It…
Full narration for this stop unlocks with the tour.
Walk on through the garden to its far path, and stop facing the church across the road, with the long convent buildings beside it. This is San Marco, a convent of Dominican friars. The convent is now the Museo di San Marco: it charges to go in, opens mornings only and is closed…
Full narration for this stop unlocks with the tour.
Walk on along the edge of the square to the street corner where a long arcade of gray columns with blue roundels begins, and stop there. Stay on the square's side: buses use the street at the corner. This is the Spedale degli Innocenti, the hospital of the innocents, built for…
Full narration for this stop unlocks with the tour.
Walk on across the square, past the bronze horseman, to the far corner where a long straight street leaves it, and stop in the middle of the street's line. Then turn round and look back up the square. This is Piazza della Santissima Annunziata, the square of the church of the…
Full narration for this stop unlocks with the tour.
Walk on down the narrow lane. Near its foot, ahead across the cross street, an eight-sided building comes into view. Cross the street at the foot of the lane and stop on the corner, with the building just across the side street. This is the Rotonda di Brunelleschi. Inside today…
Full narration for this stop unlocks with the tour.
Walk on down this side of the street, with the dome growing ahead, and stop where it fills the end of the street above the roofs. This side keeps the view. This is Via dei Servi, the street of the Servites, the friars whose church closes its other end, behind you. And ahead,…
Full narration for this stop unlocks with the tour.
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