From Sant Pere's square past the Palau de la Música, Santa Caterina's colored roof and Carrer de Montcada to Santa Maria del Mar, the 1714 graveyard and the Born market, ending at the Ciutadella park gate.
Start · Sant Pere de les Puel·les: The Maidens' Convent
Directions
Sant Pere de les Puel·les: The Maidens' Convent
The convent church that named the quarter, rebuilt in medieval style after a fire in 1909.

Palau de la Música Catalana: Built by Subscription
Domènech i Montaner's concert hall for a choir, paid for by public subscription and on UNESCO's World Heritage list.

Mercat de Santa Caterina: The Colored Roof
Barcelona's first covered market wears a colored roof of ceramic pieces, on the site of a medieval convent.

Capella d'en Marcús: A Chapel by the Old Road
A small Romanesque chapel stands beside the old road into the city, one of three left inside the old walls.

Carrer de Montcada: The Picasso Museum's Merchant Houses
Merchant houses built round courtyards now hold the Museu Picasso, on a street that goes back to the twelfth century.

Santa Maria del Mar: The Porters' Church
The Ribera's great Gothic church was built in just 54 years, from Montjuïc stone the port's porters carried for free.

Fossar de les Moreres: The 1714 Graveyard
The parish graveyard where the defenders of 1714 were buried, now a memorial square beside the church.

Passeig del Born: The Old Market Ground
An open promenade runs from the Gothic church to the iron market, on the Ribera's old market square.

El Born: The Streets Under the Market
An iron market hall of 1876 stands over streets razed after 1714, free to look down on except Mondays.

Ciutadella Park Gate: Tàpies's Cube for Picasso
Tàpies's glass cube for Picasso marks the gate of the Ciutadella park, built on the fortress ground.
Tuesday to Saturday. The Born hall and the Picasso Museum are closed on Mondays, and Santa Caterina market is closed on Sundays. A good plan is to start in the early afternoon on a Tuesday, Thursday or Friday, when the market stays open into the evening, and reach Santa Maria del Mar after 6pm, when entry is free (Monday to Saturday 6pm to 8.30pm). The Born hall is open until 8pm until the end of October and until 7pm from November. The Palau de la Música's daytime visits end at 3.30pm, so take one before you start if you want it. Checked 12 October 2026.
Travel advisory: Exercise Increased Caution (Level 2).
Go deeper on what you'll see, hear, and walk through.





The full story of El Born: The Sea Quarter That Built Itself, in words. Prefer to listen? Play it narrated, from home or on location.
Barcelona, the capital of Catalonia in Spain, grew rich on the sea, and this walk crosses the old quarter that did the work. The city calls it Sant Pere, Santa Caterina and the Ribera; most people say El Born. Ribera is named for the shore, and much of the port's workforce lived here: sailors, fishermen, merchants and the trades.
This quarter paid for its own landmarks. A choir built its concert hall by public subscription. The port's porters carried the stone for their own church. In the years after the siege of seventeen fourteen, dozens of its streets were pulled down for a fortress, and you will see what is left of them.
Three people shape what you will see: Lluís Domènech i Montaner, architect of the concert hall; Josep Fontserè, who designed the iron market over the lost streets; and Pablo Picasso, whose museum fills a row of merchant houses.
The walk is ten stops over about two kilometres, a mile and a quarter, and takes about an hour and a quarter. It is flat and step-free, with one big road to cross, at traffic lights, near the end. The concert hall, the Picasso Museum and the church's paid visit are ticketed, and every stop works from the street. It begins in Plaça de Sant Pere, a few minutes from Arc de Triomf Metro, and ends at a gate of the Ciutadella park, where our park walk takes over.
Welcome to Plaça de Sant Pere, the quiet square where this walk begins. Walk on to the paving and find the church across the square. This is Sant Pere de les Puel·les, Saint Peter of the maidens.
The name is very old. The act that consecrated the church, in nine hundred and forty-five, calls it the church of Saint Peter of the puellae, the Latin word for girls or maidens, and it places it outside the walls of the city. It was a convent of nuns, and the neighborhood around you still carries its name. The three streets that run out from this square are all Sant Pere, Saint Peter's: upper, middle and lower.
Now look at the church itself, and look at it with a little suspicion. In eighteen thirty-five the state took it from the Church, and in eighteen sixty it was used as a prison. On the twenty-seventh of July, nineteen oh nine, during the unrest Barcelona remembers as the Tragic Week, it burned.
What you see is mostly the rebuilding that followed. A historian writing for the city's archive calls it a splendid neo-medieval building, where it is hard to tell the original parts from the new. After the fire, the columns of an early medieval dome were found inside, and the architect copied them as his models. It was less a restoration than a reconstruction, and the oldest pieces it kept are inside.
This quarter has rebuilt itself in very different ways.
These are lived-in streets, with homes all around the square, so keep to the street and keep voices down.
Follow the route down Carrer de Sant Pere més Alt, a shared street where delivery vans move at walking pace. Next is a concert hall paid for by public subscription.
Walk on down the street until the corner of the Palau de la Música Catalana, the Palace of Catalan Music, rises ahead of you, and stop there. Its concerts and visits are ticketed and worth it, but this stop is all out here on the street. The details are on this stop's card.
The Palau itself admits that you cannot see this front whole: it turns a corner between two narrow streets. So read it piece by piece.
Start at the corner, high up. A woman stands out like the figurehead on the prow of a ship. She stands for music. Below her is Saint George, and around them a sailor, country people, an old man and children. The group is called Catalan Folk Song, unveiled in nineteen oh nine.
As you walk on past the front, drop to street level. Big columns of red brick and ceramic carry the arches, and two of them once held the ticket offices. One floor up, a balcony runs on fourteen columns in pairs, all covered in mosaic, and no two share a pattern. Above them, busts of composers look out: Palestrina, Bach and Beethoven along this street, Wagner round the corner. At the very top, a mosaic shows the choir's flag.
The hall was built from nineteen oh five to nineteen oh eight by the architect Lluís Domènech i Montaner, as the home of the Orfeó Català, a choral society. It was paid for by public subscription. Until nineteen eighty-nine, this narrow street was its only way in. In nineteen ninety-seven UNESCO added it to the World Heritage list, and the Palau says it is the only concert hall there.
A hall paid for by public subscription: hold on to that. The quarter ahead did the same thing, nearly six centuries earlier.
Follow the route on past the front. Next is a market under a roof of many colors.
Walk on to the pavement on this side of the open avenue and stop there, with the market to your right, across the little service road. Look up at the roof: a great sheet of color above an older arcade.
That roof is made of three hundred and twenty-five thousand ceramic pieces. The city says the colors were chosen to reproduce the colors of the stalls underneath: the fruit and the vegetables. It was designed by two architects who won a competition for it in nineteen ninety-seven, and it was finished in two thousand and five. Under the tiles is a modern frame of timber, steel and concrete.
Now look below it, at the arcade. That is the front of the old market, kept by the architects with its side walls, while the roof and the south side are new. The arcade itself had already been rebuilt once, in the nineteen eighties.
The old market was Barcelona's first covered market, opened in eighteen forty-eight. It was built on the ground of a convent of Dominican friars, Santa Caterina, founded in twelve twenty-three and pulled down in the eighteen thirties.
The ground had more to give. The new market took six years of works, and two of those years went to the archaeologists. They found the convent, and the remains of an even older monastery. Part of the convent church's apse was kept, at one corner of the market.
When it reopened, about forty thousand people came on the first day.
So here is a second way of rebuilding: keep the old front, and float something new above it.
Follow the route across the service road on the marked crossing, which has no lights, and round the market's south side. For a short stretch you walk the market's delivery lane, which has no pavement, so watch for vans. Next is a chapel from the Romanesque age.
Walk on into the little square and stop by the small stone chapel right beside you on the corner. This is the Capella d'en Marcús, Marcús's chapel, and it is one of only three Romanesque chapels left inside the old walls of the city. It was built in the twelfth or thirteenth…
Full narration for this stop unlocks with the tour.
Walk on down Carrer de Montcada and stop beside the old front on your left, where the museum queue forms. This is Palau Aguilar, the first house of the Museu Picasso, the Picasso Museum. The museum is ticketed and closed on Mondays; the details are on this stop's card. The…
Full narration for this stop unlocks with the tour.
Walk on into the square and stop on the paving. Turn round to your left, behind you, to face the front of Santa Maria del Mar, Saint Mary of the Sea. The church is free to enter at some hours and charges for a cultural visit at others; the details are on this stop's card. Start…
Full narration for this stop unlocks with the tour.
Walk on along the side of the church and stop where the open square begins. Turn round to the memorial just behind you, a wall and a flame. This is the Fossar de les Moreres. Fossar means graveyard, and this was the parish graveyard of Santa Maria del Mar. The church's side wall…
Full narration for this stop unlocks with the tour.
Walk on into the middle of the long promenade and stop there. Behind you is the east end of Santa Maria del Mar. Ahead, closing the far end, is the iron front of a market hall. Between them runs this open strip, the Passeig del Born. Take a moment with the view in both…
Full narration for this stop unlocks with the tour.
Walk on to the end of the promenade and stop on the open ground before the iron and glass front of the market hall. This is the old Born market, and today it is El Born, part of the Barcelona History Museum. Walking into the hall and looking down from its balconies is free, but…
Full narration for this stop unlocks with the tour.
Walk on past the park gate on your left and stop on the promenade just beyond it. This is the end of the walk. Now turn round: back the way you came, a glass cube stands in a shallow pool, and you can walk back to it for a closer look. The cube is Antoni Tàpies's tribute to…
Full narration for this stop unlocks with the tour.
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