Three hundred sets in a basement, four streets to a record shop, fifty-one years to a statue at the river. The cellar that reversed the Atlantic music trade, and the city that took half a century to put up a sign.
Start
The Cavern Club: The Basement Underneath

Ten Mathew Street. Opened as a jazz club on the sixteenth of January, nineteen fifty-seven. The cellar where the Beatles played roughly three hundred sets between February nineteen sixty-one and August nineteen sixty-three.

Bronze of Priscilla Maria Veronica White, born Vauxhall, Liverpool, the twenty-seventh of May, nineteen forty-three. Sculptors Andy Edwards and Emma Rodgers. Unveiled the sixteenth of January, twenty seventeen, on the spot of the original nineteen fifty-seven Cavern doorway.

Corner of Mathew Street and North John Street. The Cavern Quarter and the wider Mersey Beat scene of nineteen sixty-one to nineteen sixty-three, named in print by Bill Harry's newspaper.

Site of the Epstein family flagship record store, opened nineteen sixty, demolished in the nineteen nineties. Where Raymond Jones asked Brian Epstein for My Bonnie on the twenty-eighth of October, nineteen sixty-one.

The city's largest twenty-first-century commercial redevelopment, opened in stages from two thousand and eight. Sits on top of the world's first commercial wet dock, opened seventeen fifteen, infilled eighteen twenty-six.

Bronze by sculptor Andy Edwards, approximately one point three tons. Unveiled the fourth of December, twenty fifteen. Funded and donated by the Cavern Club for its sixtieth anniversary year. The four figures face west, toward the River Mersey.

The River Mersey at Pier Head, approximately one and a half kilometres wide. Birkenhead and the Wirral on the far bank, the Irish Sea opening to the north-west, the Atlantic beyond.
Late morning to mid-afternoon, Tuesday through Saturday, in dry weather. The Cavern Club at Stop one is open most days; lunchtime entry is typically free of charge and the cellar interior is worth the ten minutes if you want to stand on the same brick floor the audio is anchored above. The Cilla Black statue at Stop two is at pavement level and accessible at any hour, but the bronze and the fire exit door read better in daylight when the lettering on the plinth is legible. The Pier Head waterfront at Stops six and seven is wind-exposed off the Mersey; even in summer the air at the railing is colder than three streets inland. Avoid Bank Holiday weekends and Saturday afternoons in tourist season if the crowd around the statue matters to your photography.
Go deeper on what you'll see, hear, and walk through.





