Four blocks in Northwest Washington were, between roughly nineteen hundred and nineteen sixty-eight, the cultural capital of Black America outside Harlem. Seven stops. One corridor's biography, read aloud, including what is currently happening on the same blocks.
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Howard University Main Gate: The Institution That Made the Corridor Possible

The Sixth Street and Howard Place gate to Howard University, chartered by Congress in 1867 and named for Oliver Otis Howard, the Civil War general and Freedmen's Bureau commissioner. The parent institution one block north of Black Broadway.

Six twenty T Street Northwest. Opened August 22, 1910, billed as the largest colored theatre in the world. Designed by J. Edward Storck for the white-owned National Amusement Company. The corridor's first major performance venue, but not its first Black-owned building.

Twelve hundred U Street Northwest. Dedicated July 15, 1903. Designed by John A. Lankford, commissioned by the Grand United Order of True Reformers. The first building in the United States designed, financed, built, and owned by African Americans after Reconstruction. Where Duke Ellington played his first paid gig in 1917 for seventy-five cents.

Twelve fifteen U Street Northwest. Opened January 22, 1922. Designed by Reginald W. Geare in collaboration with Harry Crandall. The Lincoln Colonnade ballroom was the documented center of Black Broadway. Closed after the 1968 unrest, boarded up for years, restoration began 1989, reopened 1994.

Twelve thirteen U Street Northwest. Founded August 22, 1958, by Mahaboob Ben Ali, Trinidadian-born of Indo-Trinidadian heritage, and Virginia Rollins. Stayed open past curfew during the 1968 unrest at the request of Stokely Carmichael, feeding both police and Black activists; Soul Brother written on the window. The corridor's living survivor of the inflection.
The rowhouse where Edward Kennedy Ellington lived between roughly 1910 and 1914 as a child. Marked by a Cultural Tourism DC African American Heritage Trail plaque. The corridor's biography passes through Ellington's biography at this address.

Vermont Avenue, Tenth Street, and U Street Northwest. Dedicated July 18, 1998. The central nine-foot bronze, The Spirit of Freedom, is by Ed Hamilton of Louisville, Kentucky. Honors approximately 209,145 African American USCT soldiers and other Union forces. Founded by Frank Smith. The corridor's most recent monumental anchor, and the closing beat for both frames.
Weekday mid-morning, Tuesday through Friday, nine to noon. U Street fills with restaurant and bar crowds from late afternoon onward; weekend evenings on the Lincoln Theatre and Ben's Chili Bowl block can be very loud, and the audio gets lost in the music spilling out of Twelfth and U bars. The Howard Theatre and Lincoln Theatre are active concert venues; if a show is loading in or out, the Seventh and T and Twelfth and U sidewalks can be crowded. Ben's Chili Bowl is busiest at lunch and late at night. The African American Civil War Memorial is a quiet plaza; mornings are best for sitting at the Wall of Honor. Howard University's main gate is most contemplative when classes are between sessions; the late-spring graduation week is festive but loud.
Go deeper on what you'll see, hear, and walk through.






