Every commercial building south of Houston has a grammar. By the end of this walk, you'll read it.
Start
Haughwout Building: The Catalogue Façade

488-492 Broadway, 1857. John P. Gaynor and Daniel Badger. The canonical cast iron commercial palace.

Roosevelt Building, 478-482 Broadway, 1873-74. Richard Morris Hunt. Ionic columns, Neo-Grec pilasters, lacy openwork spandrels. The grammar's range, taught by contrast.

72-76 Greene Street, 1873. Isaac F. Duckworth. The cast iron commercial palace as composed sentence.

28-30 Greene Street, 1873. Isaac F. Duckworth's sister to the King. The first comparison the listener reads on their own.

29 Mercer Street, 1868. A vernacular cast iron loft. The grammar without the celebrity.

Silk Exchange Building, 487 Broadway, 1894-96. John Townsend Williams. Twelve stories of Beaux-Arts ornament on a hidden steel frame. The Turn: the grammar continues, the structure has changed.

561 Broadway, 1902-04. Ernest Flagg. Cast iron, terra cotta, and glass. The synthesis that anticipates the curtain wall.

A vantage on Broadway between Houston and Prince. The literacy granted. The listener leaves able to read what they couldn't read an hour ago.
Weekday mornings, before the SoHo shopping crowd arrives. The Greene Street vantages (Stops 3 and 4) need quiet sidewalks to look up and along the block without interruption. The Broadway light is strongest from late morning through early afternoon.
Go deeper on what you'll see, hear, and walk through.





